Fri, July 20, 2012
Lifestyle > Culture

'40 Under 40: Craft Futures' eyes future

2012-07-20 04:16:05 GMT2012-07-20 12:16:05(Beijing Time)

Olek, Knitting is for Pus****, 2005-2011, mixed media and 100% acrylic yarn, Courtesy of the artist, photo by Jeffrey Kilmer.

Jennifer Crupi, Ornamental Hands: Figure One, 2010, sterling silver, acrylic, inkjet print on vellum, courtesy of the artist, photo by Christian Luis.

Jen Stark, Power of Being, 2011, acid-free colored paper on wood, Smithsonian American Art Museum, Gift of Gwen and Jerry Paulson, Sandy and Norman Mitchell, and Diane and Marc Grainer, photo by Jen Stark

Matthew Szösz, Untitled (inflatable) No. 43, 2010, fused and inflated window glass, Smithsonian American Art Museum, Gift of Elmerina and Paul Parkman in honor of the 50th anniversary of American studio glass

The Smithsonian American Art Museumis celebrating 40 years of exhibitions at the institute's Renwick Gallery, a branch of the museum dedicated to craft and decorative arts. Titled "40 under 40: Craft Futures", the exhibit showcases the work of 40 artists under the age of 40 with the aim of highlighting the changing concept of the craft movement.

The exhibition, which opens on July 20th at the Renwick Gallery, features an array of projects, ranging from the usual decorative art suspects -- ceramics and metalworks -- to less common craft media like sculpture, industrial design, installation art, fashion design, sustainable manufacturing and even mathematics. The impressive breadth of artworks considered in the discipline of craft is meant to speak to the ways in which the field has changed since the early '70s, incorporating new methods of creating as generational changes lead to new technologies and new conceptual trends.

The common theme of the exhibit is modern innovation. Not only were the works produced by artists born in the 40 years since 1972, the various pieces were all created in the years following September 11th, 2001. The artists are therefore united in their awareness of issues that affect modern society, like the push for sustainability and the return to valuing hand-made goods. As the director of the Smithsonian Art Museum, Elizabeth Broun, stated in the exhibition's press release, “When the Renwick Gallery opened in 1972, it introduced a new generation of artists to the American public. I am excited that we are poised now to introduce to the museum’s community these 40 young artists who will inspire a new generation."



Add Your Comments:

Your Name:
Your Country:
(English Only)
Please read our Terms of Service. Messages that harass, abuse or threaten others; have obscene or otherwise objectionable content; have spam, commercial or advertising content or links may be removed.